-
Beethoven - Symphony No. 6 (Proms 2012)
Prom 12: Beethoven Cycle -- Symphonies Nos. 5 & 6
Beethoven - Symphony No. 6 in F major, Op. 68 (Pastoral)
1 - Allegro ma non troppo
2 - Andante molto mosso
3 - Allegro
4 - Allegro
5 - Allegretto
West--Eastern Divan Orchestra
Daniel Barenboim, conductor
Royal Albert Hall, 23 July 2012
published: 16 Aug 2012
-
Beethoven: 6. Sinfonie (»Pastorale«) ∙ hr-Sinfonieorchester ∙ Andrés Orozco-Estrada
Ludwig van Beethoven:
6. Sinfonie (»Pastorale«) ∙
(Auftritt) 00:00 ∙
I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande
(Allegro ma non troppo) 00:23 ∙
II. Szene am Bach (Andante molto moto) 11:40 ∙
III. Lustiges Zusammensein der Landleute (Allegro) 24:10 ∙
IV. Gewitter. Sturm (Allegro) 29:06 ∙
V. Hirtengesang. Frohe, dankbare Gefühle
nach dem Sturm (Allegretto) 32:53 ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Andrés Orozco-Estrada, Dirigent ∙
Ludwig van ... ∙
Alte Oper Frankfurt, 14. April 2016 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester
published: 09 May 2016
-
Ludwig van Beethoven - Symphony no 6 in F major, Op 68 - Pastoral Dirección Leonard Bernstein
Composer: Ludwig van Beethoven
Title: Beethoven, Symphony No. 6 in F major, Op. 68 "Pastoral"
Conductor: Leonard Bernstein
Orchestra: Wiener Philharmoniker
Ludwig van Beethoven (1770-1827)
Symphony No. 6 in F Major,
Op. 68 (1808)
’Pastoral Symphony,
or Recollections of Country Life’
00:45 I. Allegro ma non troppo
Awakening of cheerful feelings
upon arrival in the countryside
12:49 II. Andante molto mosso
Scene by the brook
26:40 III. Allegro
Merry gathering of country folk
32:05 IV. Allegro
Thunderstorm
35:48 V. Allegretto
Shepherd’s song. Cheerful and
thankful feelings after the storm
46:00 Applause
Vienna Phi...
published: 02 Aug 2021
-
Beethoven: 6. Sinfonie (»Pastorale«) ∙ hr-Sinfonieorchester ∙ Ariane Matiakh
Ludwig van Beethoven:
6. Sinfonie F-Dur op. 68
»Pastorale« ∙
I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande
(Allegro ma non troppo) 00:00 ∙
II. Szene am Bach (Andante molto moto) 11:51 ∙
III. Lustiges Zusammensein der Landleute (Allegro) 24:10 ∙
IV. Gewitter. Sturm (Allegro) 29:12 ∙
V. Hirtengesang. Frohe, dankbare Gefühle
nach dem Sturm (Allegretto) 32:47 ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Ariane Matiakh, Dirigentin ∙
hr-Sinfoniekonzert ∙
Alte Oper Frankfurt, 1. Oktober 2021 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester ∙
ARD-Mediathek: https://www.ardmediathek.de/hr/sendung/hr-sinfonieorchester/Y3JpZDovL2hyLW9ubGluZS8zODIyMDAxOQ/ ∙
#4K
© 2021
Hessischer Rundfunk (hr)
published: 20 Oct 2021
-
Beethoven: Symphony no. 6 in F major, op. 68 | Christian Thielemann & Wiener Philharmoniker
__
01:02 - Beethoven: Symphony no. 6 in F major, op. 68
Wiener Philharmoniker
Conducted by Christian Thielemann
__
Classic Archive, 2020
published: 12 May 2020
-
Beethoven: Symphony no. 6 in F major, op. 68 "Pastoral" (Haitink)
Bernard Haitink conducting the London Symphony Orchestra 2006
00:00 Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo
11:30 Szene am Bach: Andante molto moto
23:14 Lustiges Zusammensein der Landleute: Allegro
28:14 Gewitter, Sturm: Allegro
31:46 Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto
published: 03 Nov 2019
-
(FULL) Beethoven Symphony No.6 "Pastorale" And Egmont Overture Op.68 - London Philarmonic Orchestra
Collins Classics OFFICIAL - Beethoven (FULL ALBUM)
Symphony No.6 "Pastorale" and Egmont Overture Op.68
Buy it here: http://apple.co/1IRxKWV
Spotify: http://spoti.fi/204jBk0
Read the CD booklet here: http://bit.ly/1JzFqNs
0:00 I Allegro Ma Non Troppo "Awakening of cheerful feelings on arrival in the countryside."
12:24 II Andante Molto Mosso "Scene by the brook."
25:35 III Allegro "Merry gathering of country folk."
31:11 IV Allegro "Thunder. Storm."
34:49 V Allegretto "Shepherd's song. Happy and thankful feelings after the storm."
45:48 VI Sostenuto Ma Non Troppo "Egmont Overture"
Conducted by James Loughran
Performed by the London Philarmonic Orchestra
Symphony No. 6 in F major, Op. 68 ‘Pastoral’
Beethoven provided the movements at this symphony with titles, as well as the work itself;...
published: 22 May 2015
-
Beethoven: Symphony No. 6 in F major, Op. 68 "Pastoral" [Böhm & VPO] (with Score)
Ludwig van Beethoven:
Symphony No. 6 in F major, Op. 68 "Pastoral" (with Score)
Composed: 1808
Conductor: Karl Böhm
Orchestra: Vienna Philharmonic
00:00 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande (Awakening of happy feelings on arriving in the country). Allegro ma non troppo (F major)
12:22 2. Scene am Bach (Scene by the Brook). Andante molto moto (B-flat major)
26:20 3. Lustiges Zusammensein der Landleute (Peasant's merrymaking). Allegro (F major)
32:09 4. Gewitter. Sturm (The storm). Allegro (F minor)
35:50 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm (Shepherds' song. Joyous thanksgiving after the storm). Allegretto (F major)
For roughly 175 years, the music appreciation racket has told us that Beethoven composed symphonies in contrasting odd-even pa...
published: 10 Jun 2022
-
Relaxing Music To Study, Work🎼 Relaxing Classical Music For Soul | Beethoven, Mozart, Bach... 🎹
Relaxing Music To Study, Work🎼 Relaxing Classical Music For Soul | Beethoven, Mozart, Bach... 🎹
#classicalmusic #relaxingpianomusic #instrumental
Tracklist:
00:00:00 | 1. The Nutcracker Suite, Op. 71a: No. 2c, Russian Dance - Pavel Lyubomudrov, Metamorphose String Orchestra
https://open.spotify.com/track/3hhayvyYbVWfCZJSeNBDDl
00:01:05 | 2. The Carnival of the Animals: XIII, The Swan - Kathy Hohstadt, Sarah Joy
https://open.spotify.com/track/54O8p1pBvGKUevmghGy44x
00:03:39 | 3. Swan Lake, Op. 20: Scene by a Lake - Pavel Lyubomudrov, Metamorphose String Orchestra
https://open.spotify.com/track/49aH7C8UJVcQQrvxwNHZFa
00:06:07 | 4. Bagatelle No. 25 in A Minor "Für Elise" (Cello Version) - Sarah Joy
https://open.spotify.com/track/2p0NPqHAgmqdoP7v5UYDYV
00:10:48 | 5. Nocturnes, Op. 9: No. ...
published: 27 Feb 2024
-
Beethoven "Symphony No 6" Karajan
Symphony No 6 in F Major, op 68 "Pastoral"
1. Awakening of pleasant feelings upon arriving
the country-Allegro ma non troppo
2. Scene at the Brook-Andante molto mosso
3. Peasant's Merrymaking-Allegro
4. The Storm-Allegro
5. Shepherd's Hymn after the Storm-Allegretto
Philharmonia Orchestra
Herbert von Karajan, conductor
London, 09.-10.XII.1953
published: 21 Jul 2014
42:03
Beethoven - Symphony No. 6 (Proms 2012)
Prom 12: Beethoven Cycle -- Symphonies Nos. 5 & 6
Beethoven - Symphony No. 6 in F major, Op. 68 (Pastoral)
1 - Allegro ma non troppo
2 - Andante molto mosso
3 -...
Prom 12: Beethoven Cycle -- Symphonies Nos. 5 & 6
Beethoven - Symphony No. 6 in F major, Op. 68 (Pastoral)
1 - Allegro ma non troppo
2 - Andante molto mosso
3 - Allegro
4 - Allegro
5 - Allegretto
West--Eastern Divan Orchestra
Daniel Barenboim, conductor
Royal Albert Hall, 23 July 2012
https://wn.com/Beethoven_Symphony_No._6_(Proms_2012)
Prom 12: Beethoven Cycle -- Symphonies Nos. 5 & 6
Beethoven - Symphony No. 6 in F major, Op. 68 (Pastoral)
1 - Allegro ma non troppo
2 - Andante molto mosso
3 - Allegro
4 - Allegro
5 - Allegretto
West--Eastern Divan Orchestra
Daniel Barenboim, conductor
Royal Albert Hall, 23 July 2012
- published: 16 Aug 2012
- views: 11715059
46:10
Beethoven: 6. Sinfonie (»Pastorale«) ∙ hr-Sinfonieorchester ∙ Andrés Orozco-Estrada
Ludwig van Beethoven:
6. Sinfonie (»Pastorale«) ∙
(Auftritt) 00:00 ∙
I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande
(Allegro ma non tropp...
Ludwig van Beethoven:
6. Sinfonie (»Pastorale«) ∙
(Auftritt) 00:00 ∙
I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande
(Allegro ma non troppo) 00:23 ∙
II. Szene am Bach (Andante molto moto) 11:40 ∙
III. Lustiges Zusammensein der Landleute (Allegro) 24:10 ∙
IV. Gewitter. Sturm (Allegro) 29:06 ∙
V. Hirtengesang. Frohe, dankbare Gefühle
nach dem Sturm (Allegretto) 32:53 ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Andrés Orozco-Estrada, Dirigent ∙
Ludwig van ... ∙
Alte Oper Frankfurt, 14. April 2016 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester
https://wn.com/Beethoven_6._Sinfonie_(»Pastorale«)_∙_Hr_Sinfonieorchester_∙_Andrés_Orozco_Estrada
Ludwig van Beethoven:
6. Sinfonie (»Pastorale«) ∙
(Auftritt) 00:00 ∙
I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande
(Allegro ma non troppo) 00:23 ∙
II. Szene am Bach (Andante molto moto) 11:40 ∙
III. Lustiges Zusammensein der Landleute (Allegro) 24:10 ∙
IV. Gewitter. Sturm (Allegro) 29:06 ∙
V. Hirtengesang. Frohe, dankbare Gefühle
nach dem Sturm (Allegretto) 32:53 ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Andrés Orozco-Estrada, Dirigent ∙
Ludwig van ... ∙
Alte Oper Frankfurt, 14. April 2016 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester
- published: 09 May 2016
- views: 1359649
48:19
Ludwig van Beethoven - Symphony no 6 in F major, Op 68 - Pastoral Dirección Leonard Bernstein
Composer: Ludwig van Beethoven
Title: Beethoven, Symphony No. 6 in F major, Op. 68 "Pastoral"
Conductor: Leonard Bernstein
Orchestra: Wiener Philharmoniker
Ludw...
Composer: Ludwig van Beethoven
Title: Beethoven, Symphony No. 6 in F major, Op. 68 "Pastoral"
Conductor: Leonard Bernstein
Orchestra: Wiener Philharmoniker
Ludwig van Beethoven (1770-1827)
Symphony No. 6 in F Major,
Op. 68 (1808)
’Pastoral Symphony,
or Recollections of Country Life’
00:45 I. Allegro ma non troppo
Awakening of cheerful feelings
upon arrival in the countryside
12:49 II. Andante molto mosso
Scene by the brook
26:40 III. Allegro
Merry gathering of country folk
32:05 IV. Allegro
Thunderstorm
35:48 V. Allegretto
Shepherd’s song. Cheerful and
thankful feelings after the storm
46:00 Applause
Vienna Philharmonic
Leonard Bernstein, conductor
https://wn.com/Ludwig_Van_Beethoven_Symphony_No_6_In_F_Major,_Op_68_Pastoral_Dirección_Leonard_Bernstein
Composer: Ludwig van Beethoven
Title: Beethoven, Symphony No. 6 in F major, Op. 68 "Pastoral"
Conductor: Leonard Bernstein
Orchestra: Wiener Philharmoniker
Ludwig van Beethoven (1770-1827)
Symphony No. 6 in F Major,
Op. 68 (1808)
’Pastoral Symphony,
or Recollections of Country Life’
00:45 I. Allegro ma non troppo
Awakening of cheerful feelings
upon arrival in the countryside
12:49 II. Andante molto mosso
Scene by the brook
26:40 III. Allegro
Merry gathering of country folk
32:05 IV. Allegro
Thunderstorm
35:48 V. Allegretto
Shepherd’s song. Cheerful and
thankful feelings after the storm
46:00 Applause
Vienna Philharmonic
Leonard Bernstein, conductor
- published: 02 Aug 2021
- views: 383492
46:27
Beethoven: 6. Sinfonie (»Pastorale«) ∙ hr-Sinfonieorchester ∙ Ariane Matiakh
Ludwig van Beethoven:
6. Sinfonie F-Dur op. 68
»Pastorale« ∙
I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande
(Allegro ma non troppo) 00:00 ∙...
Ludwig van Beethoven:
6. Sinfonie F-Dur op. 68
»Pastorale« ∙
I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande
(Allegro ma non troppo) 00:00 ∙
II. Szene am Bach (Andante molto moto) 11:51 ∙
III. Lustiges Zusammensein der Landleute (Allegro) 24:10 ∙
IV. Gewitter. Sturm (Allegro) 29:12 ∙
V. Hirtengesang. Frohe, dankbare Gefühle
nach dem Sturm (Allegretto) 32:47 ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Ariane Matiakh, Dirigentin ∙
hr-Sinfoniekonzert ∙
Alte Oper Frankfurt, 1. Oktober 2021 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester ∙
ARD-Mediathek: https://www.ardmediathek.de/hr/sendung/hr-sinfonieorchester/Y3JpZDovL2hyLW9ubGluZS8zODIyMDAxOQ/ ∙
#4K
© 2021
Hessischer Rundfunk (hr)
https://wn.com/Beethoven_6._Sinfonie_(»Pastorale«)_∙_Hr_Sinfonieorchester_∙_Ariane_Matiakh
Ludwig van Beethoven:
6. Sinfonie F-Dur op. 68
»Pastorale« ∙
I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande
(Allegro ma non troppo) 00:00 ∙
II. Szene am Bach (Andante molto moto) 11:51 ∙
III. Lustiges Zusammensein der Landleute (Allegro) 24:10 ∙
IV. Gewitter. Sturm (Allegro) 29:12 ∙
V. Hirtengesang. Frohe, dankbare Gefühle
nach dem Sturm (Allegretto) 32:47 ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Ariane Matiakh, Dirigentin ∙
hr-Sinfoniekonzert ∙
Alte Oper Frankfurt, 1. Oktober 2021 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester ∙
ARD-Mediathek: https://www.ardmediathek.de/hr/sendung/hr-sinfonieorchester/Y3JpZDovL2hyLW9ubGluZS8zODIyMDAxOQ/ ∙
#4K
© 2021
Hessischer Rundfunk (hr)
- published: 20 Oct 2021
- views: 548604
50:40
Beethoven: Symphony no. 6 in F major, op. 68 | Christian Thielemann & Wiener Philharmoniker
__
01:02 - Beethoven: Symphony no. 6 in F major, op. 68
Wiener Philharmoniker
Conducted by Christian Thielemann
__
Classic Archive, 2020
__
01:02 - Beethoven: Symphony no. 6 in F major, op. 68
Wiener Philharmoniker
Conducted by Christian Thielemann
__
Classic Archive, 2020
https://wn.com/Beethoven_Symphony_No._6_In_F_Major,_Op._68_|_Christian_Thielemann_Wiener_Philharmoniker
__
01:02 - Beethoven: Symphony no. 6 in F major, op. 68
Wiener Philharmoniker
Conducted by Christian Thielemann
__
Classic Archive, 2020
- published: 12 May 2020
- views: 87081
41:13
Beethoven: Symphony no. 6 in F major, op. 68 "Pastoral" (Haitink)
Bernard Haitink conducting the London Symphony Orchestra 2006
00:00 Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo
11:30 S...
Bernard Haitink conducting the London Symphony Orchestra 2006
00:00 Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo
11:30 Szene am Bach: Andante molto moto
23:14 Lustiges Zusammensein der Landleute: Allegro
28:14 Gewitter, Sturm: Allegro
31:46 Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto
https://wn.com/Beethoven_Symphony_No._6_In_F_Major,_Op._68_Pastoral_(Haitink)
Bernard Haitink conducting the London Symphony Orchestra 2006
00:00 Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo
11:30 Szene am Bach: Andante molto moto
23:14 Lustiges Zusammensein der Landleute: Allegro
28:14 Gewitter, Sturm: Allegro
31:46 Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto
- published: 03 Nov 2019
- views: 176411
54:33
(FULL) Beethoven Symphony No.6 "Pastorale" And Egmont Overture Op.68 - London Philarmonic Orchestra
Collins Classics OFFICIAL - Beethoven (FULL ALBUM)
Symphony No.6 "Pastorale" and Egmont Overture Op.68
Buy it here: http://apple.co/1IRxKWV
Spotify: http://spo...
Collins Classics OFFICIAL - Beethoven (FULL ALBUM)
Symphony No.6 "Pastorale" and Egmont Overture Op.68
Buy it here: http://apple.co/1IRxKWV
Spotify: http://spoti.fi/204jBk0
Read the CD booklet here: http://bit.ly/1JzFqNs
0:00 I Allegro Ma Non Troppo "Awakening of cheerful feelings on arrival in the countryside."
12:24 II Andante Molto Mosso "Scene by the brook."
25:35 III Allegro "Merry gathering of country folk."
31:11 IV Allegro "Thunder. Storm."
34:49 V Allegretto "Shepherd's song. Happy and thankful feelings after the storm."
45:48 VI Sostenuto Ma Non Troppo "Egmont Overture"
Conducted by James Loughran
Performed by the London Philarmonic Orchestra
Symphony No. 6 in F major, Op. 68 ‘Pastoral’
Beethoven provided the movements at this symphony with titles, as well as the work itself; but he also declared that he was concerned with sensation rather than depiction — in fact his
own musical reactions to country Iife, and not what life in the country looks and sounds like. There is in fact some pictorial effect in the Pastoral Symphony: the birdcalls at the end of the
Andante sound Iike birdcalls and not like Beethoven’s reaction to birdsong; and the Storm is perfectly vivid, But the work is not a country diary which can be followed step by step, and so
it is probably best to think about the music as music.
The Pastoral was completed quite quickly, for Beethoven, between 1807 and 1808, as a relaxation from the ardours at the Fifth Symphony. The two symphonies were performed together
at a concert in 1808, and both were dedicated to two at Beethoven's princely friends jointly.
The symphony opens at a relaxed tempo but with bracing thoughts, and the subtitle speaks of the blessed exhilaration that the town—dweller feels on breathing country air’. The music is
more lyrical than dramatic, and the ideas which supplement the easy— going first tune are presented in a conversational, almost obviously not quite casual manner, though they are thoroughly expanded as the movement proceeds. The whole thing sounds what it is, a contrast to the electric drama of the Fifth Symphony.
The broad unhurried pace is maintained in the slow movement which was inspired by the landscape at a riverside. As the movement unfolds expansively, so too the music grows more
sonorous and warmer, with the rich advantage at divided and muted cellos. When the famous birdcalls arrive, they are neatly dovetailed into a longer phrase, and the cuckoo call is echoed
unobtrusively in the second half at the phrase by bassoons. The scherzo has the subtitle, ‘High-spirited reunion at country Folk’; it is mercurial and yet sturdy in mood, not at all unlike the scherzo part at the corresponding movement in the Seventh Symphony, Beethoven comes near to tone—painting in the trio section, where it is easy to hear the stamping of hob—nailed boots, but the inspiration has undergone a transformation into musical poetry, and it is more exact to say that the music is danceable, rather than literally danced. Beethoven was in the habit of enlarging his scherzo form by playing the trio section twice, but this time the second trio is interrupted by a pattering figure that heralds the Storm section, for which Beethoven augmented his orchestra with a piccolo, trombones and, for the first time in this symphony, the
drums. When the storm has passed, a sigh of relief from the oboe leads to C major and the finale. And this unorthodox key shows that the movement had actually begun with the Storm in F minor, which is perfectly proper key for the introduction to an F major movement. The descriptive part of the symphony here is the excuse for a reintroduction of the eloquent formal device that Beethoven was simultaneously practising in the Fifth Symphony — an introduction to the finale that sounds like a bridge passage though it isn’t one. The Allegro port of the finale is built on a cowcall, and is headed ‘Shepherds Hymn‘. Like the first movement it deliberately avoids drama and obvious symphonic effect, though the climax is overwhelming,
’Egmont' Overture, Op. 84
After Fidelio, Egmont is Beethoven's most substantial dramatic score. As with the third Leonora overture, so the overture to Egmont is a grand tone poem summing up the emotional content
of the drama. Egmont, Prince of Gaure, saved Flanders from the French invasion, at a time in the sixteenth century when the Netherlands were under Spanish rule. He protested against the
decision to make Flanders a Spanish dependency and was arrested and condemned For treason through the machinations of the Duke of Alba, his enemy and the military governor of Flanders. In the overture we hear contrasted moods that express at once the conflict of patriotism and love, and of harsh Spain and suffering Flanders; this is a completely satisfying and convincing ambivalence that is music's special property.
#Classical #Beethoven #ClassicalMusic #Orchestral #Symphony #Overture #Relaxing #Peaceful
https://wn.com/(Full)_Beethoven_Symphony_No.6_Pastorale_And_Egmont_Overture_Op.68_London_Philarmonic_Orchestra
Collins Classics OFFICIAL - Beethoven (FULL ALBUM)
Symphony No.6 "Pastorale" and Egmont Overture Op.68
Buy it here: http://apple.co/1IRxKWV
Spotify: http://spoti.fi/204jBk0
Read the CD booklet here: http://bit.ly/1JzFqNs
0:00 I Allegro Ma Non Troppo "Awakening of cheerful feelings on arrival in the countryside."
12:24 II Andante Molto Mosso "Scene by the brook."
25:35 III Allegro "Merry gathering of country folk."
31:11 IV Allegro "Thunder. Storm."
34:49 V Allegretto "Shepherd's song. Happy and thankful feelings after the storm."
45:48 VI Sostenuto Ma Non Troppo "Egmont Overture"
Conducted by James Loughran
Performed by the London Philarmonic Orchestra
Symphony No. 6 in F major, Op. 68 ‘Pastoral’
Beethoven provided the movements at this symphony with titles, as well as the work itself; but he also declared that he was concerned with sensation rather than depiction — in fact his
own musical reactions to country Iife, and not what life in the country looks and sounds like. There is in fact some pictorial effect in the Pastoral Symphony: the birdcalls at the end of the
Andante sound Iike birdcalls and not like Beethoven’s reaction to birdsong; and the Storm is perfectly vivid, But the work is not a country diary which can be followed step by step, and so
it is probably best to think about the music as music.
The Pastoral was completed quite quickly, for Beethoven, between 1807 and 1808, as a relaxation from the ardours at the Fifth Symphony. The two symphonies were performed together
at a concert in 1808, and both were dedicated to two at Beethoven's princely friends jointly.
The symphony opens at a relaxed tempo but with bracing thoughts, and the subtitle speaks of the blessed exhilaration that the town—dweller feels on breathing country air’. The music is
more lyrical than dramatic, and the ideas which supplement the easy— going first tune are presented in a conversational, almost obviously not quite casual manner, though they are thoroughly expanded as the movement proceeds. The whole thing sounds what it is, a contrast to the electric drama of the Fifth Symphony.
The broad unhurried pace is maintained in the slow movement which was inspired by the landscape at a riverside. As the movement unfolds expansively, so too the music grows more
sonorous and warmer, with the rich advantage at divided and muted cellos. When the famous birdcalls arrive, they are neatly dovetailed into a longer phrase, and the cuckoo call is echoed
unobtrusively in the second half at the phrase by bassoons. The scherzo has the subtitle, ‘High-spirited reunion at country Folk’; it is mercurial and yet sturdy in mood, not at all unlike the scherzo part at the corresponding movement in the Seventh Symphony, Beethoven comes near to tone—painting in the trio section, where it is easy to hear the stamping of hob—nailed boots, but the inspiration has undergone a transformation into musical poetry, and it is more exact to say that the music is danceable, rather than literally danced. Beethoven was in the habit of enlarging his scherzo form by playing the trio section twice, but this time the second trio is interrupted by a pattering figure that heralds the Storm section, for which Beethoven augmented his orchestra with a piccolo, trombones and, for the first time in this symphony, the
drums. When the storm has passed, a sigh of relief from the oboe leads to C major and the finale. And this unorthodox key shows that the movement had actually begun with the Storm in F minor, which is perfectly proper key for the introduction to an F major movement. The descriptive part of the symphony here is the excuse for a reintroduction of the eloquent formal device that Beethoven was simultaneously practising in the Fifth Symphony — an introduction to the finale that sounds like a bridge passage though it isn’t one. The Allegro port of the finale is built on a cowcall, and is headed ‘Shepherds Hymn‘. Like the first movement it deliberately avoids drama and obvious symphonic effect, though the climax is overwhelming,
’Egmont' Overture, Op. 84
After Fidelio, Egmont is Beethoven's most substantial dramatic score. As with the third Leonora overture, so the overture to Egmont is a grand tone poem summing up the emotional content
of the drama. Egmont, Prince of Gaure, saved Flanders from the French invasion, at a time in the sixteenth century when the Netherlands were under Spanish rule. He protested against the
decision to make Flanders a Spanish dependency and was arrested and condemned For treason through the machinations of the Duke of Alba, his enemy and the military governor of Flanders. In the overture we hear contrasted moods that express at once the conflict of patriotism and love, and of harsh Spain and suffering Flanders; this is a completely satisfying and convincing ambivalence that is music's special property.
#Classical #Beethoven #ClassicalMusic #Orchestral #Symphony #Overture #Relaxing #Peaceful
- published: 22 May 2015
- views: 2553869
45:43
Beethoven: Symphony No. 6 in F major, Op. 68 "Pastoral" [Böhm & VPO] (with Score)
Ludwig van Beethoven:
Symphony No. 6 in F major, Op. 68 "Pastoral" (with Score)
Composed: 1808
Conductor: Karl Böhm
Orchestra: Vienna Philharmonic
00:00 1. Erw...
Ludwig van Beethoven:
Symphony No. 6 in F major, Op. 68 "Pastoral" (with Score)
Composed: 1808
Conductor: Karl Böhm
Orchestra: Vienna Philharmonic
00:00 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande (Awakening of happy feelings on arriving in the country). Allegro ma non troppo (F major)
12:22 2. Scene am Bach (Scene by the Brook). Andante molto moto (B-flat major)
26:20 3. Lustiges Zusammensein der Landleute (Peasant's merrymaking). Allegro (F major)
32:09 4. Gewitter. Sturm (The storm). Allegro (F minor)
35:50 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm (Shepherds' song. Joyous thanksgiving after the storm). Allegretto (F major)
For roughly 175 years, the music appreciation racket has told us that Beethoven composed symphonies in contrasting odd-even pairs after 1803, none more startling than the heaven-storming Fifth and bucolic Sixth. Originally, however, he assigned the designation of "No. 5" to the Pastoral for their shared debut on surely the most historic night in Western music, December 22, 1808. Beginning at 6:30 p.m. in the unheated Theater an der Wien, he premiered both symphonies, the Fourth Piano Concerto, "Choral" Fantasy, "Ah! perfido!" (a concert aria from 1796), and introduced a Viennese audience to excerpts from the C major Mass, an Esterházy commission of 1807 that Prince Nicolaus II disliked when he heard it.
Beethoven began making specific notes for a "Sinfonia pastorale" in 1806, but didn't complete the work until 1808, in the village of Heiligenstadt northwest of Vienna. If this had been an unlikely hatchery in 1807 for the fist-brandishing Fifth Symphony, it perfectly suited -- as he noted in his sketchbook -- "recollections of country life...more the expression of feeling than of painting" in his ensuing woodwind-drenched symphony (although violins get first crack at nine of its 12 significant themes).
"Cheerful impressions wakened by arrival in the country" (Allegro ma non troppo, in F major, 2/4) is the first movement. It is in sonata form, pretty much by the book, with violins introducing all themes. The second-movement "Scene by the brook" (Andante molto moto, in B flat major and 12/8 time) is a Sonata structure again, but more relaxed, with a limpid main theme for violins and a bassoon sub-theme. In the coda, the flute impersonates a nightingale, the oboe a quail, and the clarinet a cuckoo. The third movement, "Merry gathering of country folk" (Allegro, 3/4 time, F major), is an expanded song-and-trio, with a 2/4 section in "tempo d'Allegro" that creates the effect of an ABCABCA structure, leading without pause to the fourth movement, "Thunderstorm; tempest" (Allegro; F minor, 4/4). From the first raindrop to last, this is purely depictive music. It is followed by a 10-bar chorale that segues the final "Shepherd's song; glad and grateful tidings after the storm" (Allegretto; F major, 6/8), a sonata-rondo, whose C-section some have called a development section. The fun includes a sly parody of amateur musicians before the long, progressively tranquil coda that ends with a pianistic gesture: two fortissimo chords. (https://www.allmusic.com/composition/symphony-no-6-in-f-major-pastoral-op-68-mc0002367003)
https://wn.com/Beethoven_Symphony_No._6_In_F_Major,_Op._68_Pastoral_Böhm_Vpo_(With_Score)
Ludwig van Beethoven:
Symphony No. 6 in F major, Op. 68 "Pastoral" (with Score)
Composed: 1808
Conductor: Karl Böhm
Orchestra: Vienna Philharmonic
00:00 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande (Awakening of happy feelings on arriving in the country). Allegro ma non troppo (F major)
12:22 2. Scene am Bach (Scene by the Brook). Andante molto moto (B-flat major)
26:20 3. Lustiges Zusammensein der Landleute (Peasant's merrymaking). Allegro (F major)
32:09 4. Gewitter. Sturm (The storm). Allegro (F minor)
35:50 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm (Shepherds' song. Joyous thanksgiving after the storm). Allegretto (F major)
For roughly 175 years, the music appreciation racket has told us that Beethoven composed symphonies in contrasting odd-even pairs after 1803, none more startling than the heaven-storming Fifth and bucolic Sixth. Originally, however, he assigned the designation of "No. 5" to the Pastoral for their shared debut on surely the most historic night in Western music, December 22, 1808. Beginning at 6:30 p.m. in the unheated Theater an der Wien, he premiered both symphonies, the Fourth Piano Concerto, "Choral" Fantasy, "Ah! perfido!" (a concert aria from 1796), and introduced a Viennese audience to excerpts from the C major Mass, an Esterházy commission of 1807 that Prince Nicolaus II disliked when he heard it.
Beethoven began making specific notes for a "Sinfonia pastorale" in 1806, but didn't complete the work until 1808, in the village of Heiligenstadt northwest of Vienna. If this had been an unlikely hatchery in 1807 for the fist-brandishing Fifth Symphony, it perfectly suited -- as he noted in his sketchbook -- "recollections of country life...more the expression of feeling than of painting" in his ensuing woodwind-drenched symphony (although violins get first crack at nine of its 12 significant themes).
"Cheerful impressions wakened by arrival in the country" (Allegro ma non troppo, in F major, 2/4) is the first movement. It is in sonata form, pretty much by the book, with violins introducing all themes. The second-movement "Scene by the brook" (Andante molto moto, in B flat major and 12/8 time) is a Sonata structure again, but more relaxed, with a limpid main theme for violins and a bassoon sub-theme. In the coda, the flute impersonates a nightingale, the oboe a quail, and the clarinet a cuckoo. The third movement, "Merry gathering of country folk" (Allegro, 3/4 time, F major), is an expanded song-and-trio, with a 2/4 section in "tempo d'Allegro" that creates the effect of an ABCABCA structure, leading without pause to the fourth movement, "Thunderstorm; tempest" (Allegro; F minor, 4/4). From the first raindrop to last, this is purely depictive music. It is followed by a 10-bar chorale that segues the final "Shepherd's song; glad and grateful tidings after the storm" (Allegretto; F major, 6/8), a sonata-rondo, whose C-section some have called a development section. The fun includes a sly parody of amateur musicians before the long, progressively tranquil coda that ends with a pianistic gesture: two fortissimo chords. (https://www.allmusic.com/composition/symphony-no-6-in-f-major-pastoral-op-68-mc0002367003)
- published: 10 Jun 2022
- views: 25026
11:54:58
Relaxing Music To Study, Work🎼 Relaxing Classical Music For Soul | Beethoven, Mozart, Bach... 🎹
Relaxing Music To Study, Work🎼 Relaxing Classical Music For Soul | Beethoven, Mozart, Bach... 🎹
#classicalmusic #relaxingpianomusic #instrumental
Tracklist:...
Relaxing Music To Study, Work🎼 Relaxing Classical Music For Soul | Beethoven, Mozart, Bach... 🎹
#classicalmusic #relaxingpianomusic #instrumental
Tracklist:
00:00:00 | 1. The Nutcracker Suite, Op. 71a: No. 2c, Russian Dance - Pavel Lyubomudrov, Metamorphose String Orchestra
https://open.spotify.com/track/3hhayvyYbVWfCZJSeNBDDl
00:01:05 | 2. The Carnival of the Animals: XIII, The Swan - Kathy Hohstadt, Sarah Joy
https://open.spotify.com/track/54O8p1pBvGKUevmghGy44x
00:03:39 | 3. Swan Lake, Op. 20: Scene by a Lake - Pavel Lyubomudrov, Metamorphose String Orchestra
https://open.spotify.com/track/49aH7C8UJVcQQrvxwNHZFa
00:06:07 | 4. Bagatelle No. 25 in A Minor "Für Elise" (Cello Version) - Sarah Joy
https://open.spotify.com/track/2p0NPqHAgmqdoP7v5UYDYV
00:10:48 | 5. Nocturnes, Op. 9: No. 2 in E-Flat Major, Andante - Vadim Chaimovich
https://open.spotify.com/track/53uk1FxfsfHWi8Uu1Pj8pa
00:15:17 | 6. Peer Gynt Suite No. 1, Op. 46: Morning Mood - Pavel Lyubomudrov, Metamorphose String Orchestra
https://open.spotify.com/track/71QnTHQ8s4lrYkEfR5zba5
00:18:30 | 7. Piano Sonata No. 16 in C Major, K. 545 "Sonata Facile": I. Allegro - Vadim Chaimovich
https://open.spotify.com/track/6xZp8qD2c82KDZcIshDW3c
00:21:32 | 8. Schwanengesang, D. 957: Ständchen (Serenade) - Pavel Lyubomudrov, Metamorphose String Orchestra
https://open.spotify.com/track/77KIcvG8MeglVBFAR0qaFQ?si=619731de6d7c4f73&nd=1
00:25:34 | 9. Ave Maria, D. 839 - Sarah Punga, Stefano Secco
https://open.spotify.com/track/60wakZY9NI0zSB6klVAlfw
00:30:29 | 10. Salut d'amour, Op. 12 - Luke Faulkner
https://open.spotify.com/track/0dN0hjrTrmPDjoqtFLG9E0
00:33:39 | 11. Romance in F Major, Op. 50 - Cristian Verdini, Giuseppe Lanzetta, Orchestra da Camera Fiorentina
https://open.spotify.com/track/1kjuihOV1AihB1uVvVpRDv
🎧 About Classical Currents:
Step into a world of tranquility and focus with "Relaxing Music To Study, Work 🎼 Relaxing Classical Music For Soul | Beethoven, Mozart, Bach... 🎹." This carefully crafted musical journey invites you to immerse yourself in the timeless melodies of three legendary composers – Beethoven, Mozart, and Bach.
At Classical Currents, we strive to bridge the gap between the classical traditions of the past and the exciting currents of innovation in the contemporary classical scene. Our channel is a sanctuary for enthusiasts and newcomers alike, offering a curated collection of performances, analyses, and discussions that showcase the enduring relevance and transformative power of classical music.
Join us as we embark on a journey through the annals of musical history, where the genius of iconic composers intertwines with the fresh, dynamic expressions of today's virtuosos. Discover the stories behind the compositions, unravel the complexities of musical theory, and witness the evolution of classical music in real-time.
👀 FOLLOW US:
Subscribe: youtube.com/@classicalcurrentsx
Contact: classicmusic@melodicnotes.net
Please enjoy the video!
© All rights reserved.
℗ Music is Copyrighted by Classical Currents
© Video is Copyrighted by Classical Currents
https://wn.com/Relaxing_Music_To_Study,_Work🎼_Relaxing_Classical_Music_For_Soul_|_Beethoven,_Mozart,_Bach..._🎹
Relaxing Music To Study, Work🎼 Relaxing Classical Music For Soul | Beethoven, Mozart, Bach... 🎹
#classicalmusic #relaxingpianomusic #instrumental
Tracklist:
00:00:00 | 1. The Nutcracker Suite, Op. 71a: No. 2c, Russian Dance - Pavel Lyubomudrov, Metamorphose String Orchestra
https://open.spotify.com/track/3hhayvyYbVWfCZJSeNBDDl
00:01:05 | 2. The Carnival of the Animals: XIII, The Swan - Kathy Hohstadt, Sarah Joy
https://open.spotify.com/track/54O8p1pBvGKUevmghGy44x
00:03:39 | 3. Swan Lake, Op. 20: Scene by a Lake - Pavel Lyubomudrov, Metamorphose String Orchestra
https://open.spotify.com/track/49aH7C8UJVcQQrvxwNHZFa
00:06:07 | 4. Bagatelle No. 25 in A Minor "Für Elise" (Cello Version) - Sarah Joy
https://open.spotify.com/track/2p0NPqHAgmqdoP7v5UYDYV
00:10:48 | 5. Nocturnes, Op. 9: No. 2 in E-Flat Major, Andante - Vadim Chaimovich
https://open.spotify.com/track/53uk1FxfsfHWi8Uu1Pj8pa
00:15:17 | 6. Peer Gynt Suite No. 1, Op. 46: Morning Mood - Pavel Lyubomudrov, Metamorphose String Orchestra
https://open.spotify.com/track/71QnTHQ8s4lrYkEfR5zba5
00:18:30 | 7. Piano Sonata No. 16 in C Major, K. 545 "Sonata Facile": I. Allegro - Vadim Chaimovich
https://open.spotify.com/track/6xZp8qD2c82KDZcIshDW3c
00:21:32 | 8. Schwanengesang, D. 957: Ständchen (Serenade) - Pavel Lyubomudrov, Metamorphose String Orchestra
https://open.spotify.com/track/77KIcvG8MeglVBFAR0qaFQ?si=619731de6d7c4f73&nd=1
00:25:34 | 9. Ave Maria, D. 839 - Sarah Punga, Stefano Secco
https://open.spotify.com/track/60wakZY9NI0zSB6klVAlfw
00:30:29 | 10. Salut d'amour, Op. 12 - Luke Faulkner
https://open.spotify.com/track/0dN0hjrTrmPDjoqtFLG9E0
00:33:39 | 11. Romance in F Major, Op. 50 - Cristian Verdini, Giuseppe Lanzetta, Orchestra da Camera Fiorentina
https://open.spotify.com/track/1kjuihOV1AihB1uVvVpRDv
🎧 About Classical Currents:
Step into a world of tranquility and focus with "Relaxing Music To Study, Work 🎼 Relaxing Classical Music For Soul | Beethoven, Mozart, Bach... 🎹." This carefully crafted musical journey invites you to immerse yourself in the timeless melodies of three legendary composers – Beethoven, Mozart, and Bach.
At Classical Currents, we strive to bridge the gap between the classical traditions of the past and the exciting currents of innovation in the contemporary classical scene. Our channel is a sanctuary for enthusiasts and newcomers alike, offering a curated collection of performances, analyses, and discussions that showcase the enduring relevance and transformative power of classical music.
Join us as we embark on a journey through the annals of musical history, where the genius of iconic composers intertwines with the fresh, dynamic expressions of today's virtuosos. Discover the stories behind the compositions, unravel the complexities of musical theory, and witness the evolution of classical music in real-time.
👀 FOLLOW US:
Subscribe: youtube.com/@classicalcurrentsx
Contact: classicmusic@melodicnotes.net
Please enjoy the video!
© All rights reserved.
℗ Music is Copyrighted by Classical Currents
© Video is Copyrighted by Classical Currents
- published: 27 Feb 2024
- views: 360
37:37
Beethoven "Symphony No 6" Karajan
Symphony No 6 in F Major, op 68 "Pastoral"
1. Awakening of pleasant feelings upon arriving
the country-Allegro ma non troppo
2. Scene at the Brook-Andante ...
Symphony No 6 in F Major, op 68 "Pastoral"
1. Awakening of pleasant feelings upon arriving
the country-Allegro ma non troppo
2. Scene at the Brook-Andante molto mosso
3. Peasant's Merrymaking-Allegro
4. The Storm-Allegro
5. Shepherd's Hymn after the Storm-Allegretto
Philharmonia Orchestra
Herbert von Karajan, conductor
London, 09.-10.XII.1953
https://wn.com/Beethoven_Symphony_No_6_Karajan
Symphony No 6 in F Major, op 68 "Pastoral"
1. Awakening of pleasant feelings upon arriving
the country-Allegro ma non troppo
2. Scene at the Brook-Andante molto mosso
3. Peasant's Merrymaking-Allegro
4. The Storm-Allegro
5. Shepherd's Hymn after the Storm-Allegretto
Philharmonia Orchestra
Herbert von Karajan, conductor
London, 09.-10.XII.1953
- published: 21 Jul 2014
- views: 1477634